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By the turn with the 20th century, amateur advisors and publications were increasingly challenging the monopoly the large retail companies had on design. English feminist author Mary Haweis wrote a few widely read essays inside the 1880s through which she derided the eagerness that aspiring middle-class people furnished their houses in accordance with the rigid models accessible to them through the retailers.[10] She advocated the consumer adoption of the particular style, tailor-made to the person needs and preferences in the customer:

"One of my strongest convictions, and one in the first canons of excellent taste, is the fact our houses, such as the fish’s shell as well as the bird’s nest, really should represent our individual taste and habits.
The move toward decoration to be a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus using the 1899 formation with the Institute of British Decorators; with John Dibblee Crace becasue it is president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which 10 were women. Rhoda and Agnes Garrett were the initial women to coach professionally as interior designers in 1874. The importance of their work with design was regarded at that time as with a par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic design to a wide middle-class audience.[12]

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